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Kansas - Dust in the Wind - Guitar Cover

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Kansas - Dust in the Wind - Guitar Cover

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Kansas - Dust in the Wind guitar cover video
Kfir Ochaion
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Classic Rock

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Master7
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Kansas Classic Rock

Dust in the Wind

"Guitar Only" by Dust in the Wind draws from the legacy of Kansas's iconic 1977 progressive rock track, written by Kerry Livgren and featured on the album Point of Know Return. Originally built around fingerpicked acoustic guitar, the song translates well to electric guitar, offering players a chance to explore delicate, arpeggiated picking patterns and melodic chord voicings. Its relatively straightforward structure makes it a rewarding study in dynamics and tone control for intermediate electric guitarists.

  • Kerry Livgren wrote 'Dust in the Wind' after practicing a fingerpicking exercise, making it ideal for developing right-hand technique.
  • The song was first released on Kansas's 1977 album Point of Know Return, a landmark record in progressive rock.
  • Its repeating arpeggio pattern is a practical exercise for electric guitarists working on clean picking consistency and note separation.
Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Kerry Livgren's primary weapon for Kansas's classic era, the Les Paul Standard delivered thick humbucker warmth and sustain essential for both the crushing riffs of 'Carry On Wayward Son' and intricate lead passages. Its moderate-output PAF pickups maintained clarity and dynamics even when pushed through cranked Marshalls, letting every picked note cut through live.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Rich Williams relied on the Les Paul Custom's dual-humbucker platform to anchor Kansas's dual-guitar attack with warm, articulate tone that complemented Livgren's lead work. The Custom's versatility and noise-rejecting humbuckers made it ideal for both driving rhythm parts and soaring melodic solos in the band's complex arrangements.

MXR Phase 90
Pedal

MXR Phase 90

Livgren deployed the MXR Phase 90 sparingly for textural color on rhythm guitar passages, adding subtle swirling movement to Kansas's layered arrangements without cluttering the core Marshall-driven tone. This minimal-effects philosophy kept the focus on the guitarist's technique and the natural breakup of tube amplification.

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