Wham! - Last Christmas - Guitar Cover

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Wham! - Last Christmas - Guitar Cover

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Key D major
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Wham! Pop D major
Capo Advisor 0 D major · Original key

Last Christmas


"Last Christmas" is a pop classic by Wham!, written, performed, and produced by George Michael and released on 3 December 1984 via CBS Records. The song draws on a personal narrative of a Christmastime breakup, giving it an emotional core that translates well beyond its synth-pop arrangement. For electric guitar players, it offers a rewarding challenge in recreating its melodic hooks and lush chord progressions with a clean or light chorus tone.

  • George Michael wrote 'Last Christmas' in February 1984 and recorded it in August of the same year.
  • The track was released as a double A-side alongside 'Everything She Wants' in several European countries.
  • Despite its synth-driven production, the song's chord progressions adapt naturally to electric guitar in a clean-tone setting.
Fender Stratocaster
Guitar

Fender Stratocaster

Wham's touring guitarists chose the Stratocaster for its bright, articulate single-coil tone that cuts cleanly through dense synth arrangements without muddying the mix. The guitar's natural clarity lets the pop songwriting shine without requiring heavy processing or gain.

Fender Telecaster
Guitar

Fender Telecaster

The Telecaster's sharp, snappy single-coil voice provided Wham with transparent articulation essential for sitting prominently in synth-heavy productions. Its cutting high-end presence delivered the pristine, uncolored guitar tone the band's synth-pop aesthetic demanded.

Gibson ES-335
Guitar

Gibson ES-335

Wham used the ES-335's warm, thin-humbucker tone as a complementary option to single-coils, offering slightly thicker midrange while maintaining the clarity needed to compete with synthesizers. This semi-hollow body provided subtle resonance without sacrificing the clean, unprocessed character their sound required.

Fender Deluxe Reverb
Amp

Fender Deluxe Reverb

The Deluxe Reverb's transparent, headroom-rich amplification kept Wham's guitars pristine and uncolored, allowing natural tone to carry through synth-laden arrangements. Its built-in reverb added tasteful space without saturation, perfectly matching the band's minimal, clean effects aesthetic.

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