Shawn Mendes - Kid in Love - Acoustic Guitar Lesson

Practice Studio

Shawn Mendes - Kid in Love - Acoustic Lesson

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Key G major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Handwritten album cover
Handwritten
2015 3:46
Shawn Mendes 2015 G major
Capo Advisor 0 G major · Original key

Kid in Love


Kid in Love is a pop-rock track from Shawn Mendes' 2015 debut album Handwritten. The song showcases accessible chord progressions and melodic guitar lines that make it ideal for intermediate electric guitar players looking to develop their pop-rock foundation.

  • Released in 2015 as part of Mendes' breakthrough debut album Handwritten.
  • Features straightforward pop-rock guitar work suitable for developing intermediate technique.
  • A key track from the album that helped establish Mendes' early musical identity.
Fender Stratocaster
Guitar

Fender Stratocaster

Mendes uses his white Stratocaster for electric performances, leveraging its bright single-coil pickups to cut through pop production with crisp articulation. The versatile design supports both clean textures and mild overdrive tones that sit perfectly upfront in his vocal-driven arrangements.

Fender Telecaster
Guitar

Fender Telecaster

The Telecaster's snappy single-coil character delivers the punchy, defined rhythm tones Mendes needs for songs like 'There's Nothing Holding Me Back.' Its natural brightness pairs with his minimal pedal approach, keeping his guitar parts transparent and radio-friendly.

Fender Twin Reverb
Amp

Fender Twin Reverb

Mendes pairs the Twin Reverb's pristine, headroom-rich clean tone with transparent effects to maintain clarity in dense pop mixes. The amp's built-in reverb adds subtle ambient textures without coloring his core sound.

Ibanez Tube Screamer TS9
Pedal

Ibanez Tube Screamer TS9

Mendes uses the Tube Screamer for light, musical overdrive that adds grit to rhythm parts without sacrificing definition. This warm, non-saturated breakup aligns with his philosophy of letting clarity and the vocal remain the focal point.